Future Classics
Nice Gollancz have sent me seven paperbacks (though they list eight in this series) with very snazzy covers. I've got them all already. I've read them all already, except for Paul McAuley's (I beg your pardon - having been declared a future classic, he's now Paul J McAuley) Fairyland. I'm ashamed of that, because Mr McAuley is a very nice man indeed, who has bought me several pints. The least I can do is read his books. His very good new book is called Cowboy Angels. Multidimensional Americas. But I will review it properly. So now I will read Fairyland.
But from the standard of the other titles, Gollancz may be on to something with this rebranding exercise. Evolution features a flock wallpaper ape. The Separation has classy brown paper aeroplanes (if you've got the original Scribner paperback, you'd be horrified at how much it's worth; they only printed about five of them, being bastards and idiots. Mr Priest got the last laugh there). I don't understand the Dan Simmonds cover, but it's one of the most in your face first sentences in sf. Revelation Space is appropriately shiny. And so on.
My doubt is Altered Carbon. Entertaining, yes. Successful, undoubtedly. Classic... well, maybe. Perhaps Ryman and Harrison and Banks and Mieville and Grimwood and Roberts and MacLeod and lots of those other folk don't need pushing as future classics. The list is (in no order):
Hyperion, Dan Simmonds
Evolution, Stephen Baxter
Fairyland, Paul J McAuley
Revelation Space, Alastair Reynolds
The Separation, Christopher Priest
Blood Music, Greg Bear
Altered Carbon, Richard Morgan
The missing one - listed inside - is Schild's Ladder by Greg Egan. He has strong views on quotations on book jackets (he's agin the idea), and I wonder if that has caused some difficulty with it. I will ask people who might know.